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Up next at KPS | snails for eyes

Save the date | snails for eyes

Saelia Aparicio, Jack Bodimeade, Naomi Gilon, Maria Gondek, Guy Marshall-Brown, Anna Reading

16 November - 14 December 2019

PV Friday 15 November 2019 6-9pm

snails for eyes is about the sea and its unknown depths. The works in the exhibition are tender studies of; resourcefulness, myth, lost relics, rituals, sunken islands, tourism, bubbling waters and outer space.


Saelia Aparicio graduated with an MFA in Sculpture from the Royal College of Art, London in 2015. Solo exhibitions include: Protesis para invertebrados, La Casa Encendida, Madrid, Spain (2019); Your Consequences Have Actions, The Tetley, Leeds (2018); Peaks & Troughs, Turf Projects, London (2017) and epidermal speleology, Da2 Domus Artium, Salamanca, Spain (2015). Group shows include: In a World Where Immortality Is The Norm, The Future Is my Future, Galeria Duarte Sequeira, Braga, Portugal (2019); Not A Family Tree | The Anomalies, Joyce, Hong Kong (2019); The shape of a circle in the mind of a fish with plants, curated by the Serpentine Public Program, Earth Hackney, London (2019); Retour sur Mulholland Drive, La Panacée, Montpellier, France and Bloomberg New Contemporaries, at the ICA, London and The Bluecoat, Liverpool (2016). In 2016 Saelia completed a residency at SeMA (Seoul Museum of Art), South Korea and in 2017 she was selected for the New Contemporaries' Studio Bursary with Sarabande at The Lee Alexander McQueen Foundation, London. In 2018, she completed a residency at The Bluecoat, Liverpool and this year Saelia was awarded Generaciones 2019 organised by Fundación Montemadrid in Spain and has been chosen to be part of the FIBRA residency in Mexico. Saelia also works collaboratively, some of her collaborators include: the product designer Attua Aparicio, the glass blower Jochen Holz, the fashion designer Craig Green, and artists Mire Lee and Paloma Proudfoot.

Jack Bodimeade graduated with a BA in Fine Art from Goldsmiths University, London in 2015. Selected group exhibitions include: Exeter Contemporary Open, Exeter Phoenix, Exeter (2019); Dust sheet embroidered snow, Project Gallery, Arundel (2019); CATS (2 person show with Jack Goldstein), Kingsgate Project Space, London (2017); and Bloomberg New Contemporaries, ICA, London and Bluecoat, Liverpool (2016). In 2015, he co-formed and ran The Benevolent Association of Excellent Solutions (BAES) – a dedicated project/gallery space, and studios for six artists.

Naomi Gilon graduated from the Painting department at La Cambre (ENSAV), Brussels in 2018. In 2019 she had a solo show R S V P , Gallery Cdlt+, Liège, Belgium. Selected group exhibitions include: Biënnale van België / Biennale de Belgique, curated by Diesel Project, Floraliënhal, Ghent, Belgium (2019); Imbroglio (or the ability to incorporate possibilities), Like A Little Disaster, Polignano a Mare, Italy (2019); and A Glass Is Not A Reference for An Amount, curated by Van der Borght Bjornus, In De Ruimte, Ghent, Belgium (2019). Naomi was selected for the Prix de la Commission des Arts de Wallonie in 2018 and was awarded the Landschaft residency at Artoll Kunstlabor in 2016.

Maria Gondek graduated from the MFA programme at the Glasgow School of Art in 2018. Before that, Maria studied at the Audio Visual department at the Gerrit Rietveld Academy in Amsterdam. In 2014 she was a part of School of the Damned, an alternative peer led Masters programme based in London. Selected group exhibitions include: Burnout (with Emilia Bergmark), Kunsthal 44Møen, Denmark (2019); Th -Th -Th - That's all Folks!, Castlefield Gallery, Manchester (2018); So Natural, Like A Little Disaster, Polignano a Mare, Italy (2017); and Wiolators Reykjavík Edition, Reykjavik Art Museum, Reykjavik, Iceland (2015).

Guy Marshall-Brown graduated with an MA in Ceramics & Glass from the Royal College of Art, London in 2019. Selected exhibitions include Experiment | Control, Blyth Gallery, London (2018); Modern Masters, Galerie Handwerk, Munich (2018); and Claytime!, Side Gallery, Barcelona (2018). Guy was awarded the Sir Eduardo Paolozzi Prize in 2018 and has been selected for the Konstfack-RCA Graduate Exchange Residency this year, heading to Stockholm in 2020 to complete the residency.

Anna Reading graduated with an MFA in Sculpture from Slade School of Fine Art, London in 2017. In 2018 she was awarded the Mark Tanner Sculpture Award and as part of this had a solo exhibition The Pothole at Standpoint Gallery, London in 2019. The Mark Tanner Sculpture Award will be touring to Cross Lane Projects in Kendal and Bury Art Museum later this year. Selected group exhibitions include: Sugar Mountain, The Silver Building, London (2019); Shell Shelter and Raven Ravine (with Pallas Citroen), The Bomb Factory, London (2019); Bloomberg New Contemporaries, Liverpool John Moores University, Liverpool Biennial and South London Gallery (2018); A Field Guide to Getting Lost, The Art Foundation, Athens (2018); and Rotating Edible Object, Chalton Gallery, London (2018). In 2017, Anna was selected for residencies at Non-Space, Aarhus, Denmark and Academy for Visual Arts, HKBU, Hong Kong.

Image in poster: Nudibranch by Klaus Stiefel licensed CC BY-NC 2.0⁣⁣⁣⁣

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